Carlos saw the Moog voice as valid on its own terms, which may be one reason why this album still stands out today, when compared with some of the more flamboyant work that followed from others, such as Isao Tomita -- everything here is musical, with no sound effects to speak of until near the finale (and even that is restrained); and the Moog is working in its own "voice," rather than overtly imitating other, non-electronic instruments.
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http://rapidshare.com/files/25018031/wendy_carlos_-_switched-on_bach_ii.rar
http://rapidshare.com/files/109769018/Wendy_Carlos_-_1974_-_Switched-On_Bach_II.rar
This one's OK!
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