https://rovingsagemedia.bandcamp.com/album/cave-at-the-end
If you would like to hear the Doc speak from week to week, I do it about sci-fi films, podcast style, these days. Get into that here:
Your very own universe becomes Technicolour as time, fear, and Samsara fade away. Dig our trip, playing away in this weird pocket of Japan that remains Shinshu - "the Pure Land." We're reverberating off the vibrations of Joy Division, Can, Underworld, the Pink Floyd, and trying to translate Lenin into Lennon, and vice versa. Bach too - Matt had a cello practically forced back into his hands in 2019 after 11 years of not touching one, and decided the only thing to do was to become obsessed with it.
Where have I been? Listening to crateloads of funk, soul, and electric jazz. My daughter only accepts Prince playing in the car. So here we are - joined by Buzz Amato - a keyboard extraordinaire who played with and was musical director for Curtis Mayfield's band in the late 80's, and who has also played with groovy acts like Slave and The Three Degrees. We've got his services on a vintage Fender Rhodes electric keyboard and Hammond organ sending the title tune into the absolute stratosphere.
I never got around to publishing my best of last year, but I've heard a pretty wide abundance of tunes this year and feel like I need to take a crack at it. For whatever reason, I've gravitated towards dreamy, ambient sounds even more than usual this year, so you'll hear a fair amount of that wafting around on these tracks. Anyway, here's the rundown for you:
This is the music that I tend to listen to while hanging around on my balcony, waiting for inspiration. Quite a bit of it is sort of ambient and drone filled, but it's the kind of stuff that I really dig. I often hang around listening to the sounds around me and looking for glimmers of light while listening to this stuff, predicting the chance that a train will soon pass by. I don't live quite as close to the train tracks as Elwood Blues, but I'm plenty close. Since I'm lazy, I never got around to making a compilation of my favorite albums from 2010, but if you read into this tracklist, you'll get a good idea about what I got into. For the record, Tame Impala's "Innerspeaker" was my number one album last year. There's plenty of other tunes milling about here as well - most of it can qualify as psychedelic, but I've got to give space for musical dieties like Charlie Parker as well. Give it a listen - I hope you'll find it as groovy as I do.
While most of this probably falls under the psychedelic umbrella, there are a few deviations. You'll find some of these albums in the psychedelic garage, but we've also got stuff like a little 70's jazz-funk lurking about, along with a touch of rawk. There's also a fewer newer releases represented here which are too recent for me to feel ok posting the entire album. I made this little compilation to illustrate to Scott, the other fellow involved with Damaged Tape and Glaze of Cathexis, where my musical headspace is currently residing. This is the kind of stuff that I end up playing everyday. It's certainly influenced the new Glaze of Cathexis album (which will be posted in the next few days) and a few even more recent recordings. Hopefully you'll dig at least some of the music that's been catching my ear.
Howdy, folks! I'm not really a big compilation guy on this blog, but I wanted to get together a primer that might help folks become more familiar with the stuff they'll find here. Of course, I've been doing this blog for almost two years and I quickly realized that I couldn't really get an accurate statistical analysis of the entire thing. Thus, I invite you to unleash the more psychedelically poppy sorts of sounds upon your ear. Well, by poppy I guess I mean catchy tracks that generally fit into a pop music structure, but the sounds are certainly demented. Most of the tracks you'll find here are straight from the prime late 60's era of psychedelic weirdness. I've tried to avoid the folks that you've heard on the Nuggets' compilations, although I can't vouch about Pebbles (never really listened to those much). Anyway, give these tracks a listen and then fearlessly plunge into the Psychedelic Garage archives if you dare.
This is admittedly a bit of a "conflict of interest" post. Paper Fences and Zonohedra are projects ring-led by my old college roommate Andrew Bland. That's why you see no quality or trip-o-meters present. The Dr. spends plenty of time recording music too, and I'm all over Paper Fences playing guitar, bass, drums and synth. In fact, I'll apologize in advance for my somewhat spastic drumming. Anyway, these recordings are mostly psychedelic, and most certainly obscure, so I feel that they fit here.
Zonohedra is a more recent project from Andrew and a fellow I don't know named Steve Logel. With more of a battle plan (as opposed to aimless experimentation) and less egos to bruise, Zonohedra is a much more unified project. It makes for fine background music on a rainy afternoon or late at night. Andrew apparently liked the use of the MicroKorg from Paper Fences and brought in a few vintage synths to flesh out the all-instrumental disc. I tend to enjoy the more percussive tracks like "Alkaline," "Solstice," and "Whisper Forth" most.