Showing posts with label Seeds. Show all posts
Showing posts with label Seeds. Show all posts

03 February 2008

The Seeds - 1967 - The Seeds in Concert at Merlin's Music Box

Quality: 4 out of 5
Trip-O-Meter: 2.5 out of 5


The band was trying to promote their latest album "Future", and of course some old hits. Here you can listen the mix of influences that Saxon put together in this live album, some coincidence in 2 tracks related with a couple of Doors songs.

Here in allmusic you have a great description: "900 Million People Daily All Making Love" sounds so much like the Doors and Jim Morrison's "When the Music's Over," one has to wonder which came first, or did they copy each other? "Mumble and Bumble" is a trippy "Alabama Song," but where Morrison is looking for the next whiskey bar, Saxon is off looking for flowers and magic mushrooms.


For me, the band (in this album) didn´t sound like the studio albums, I mean I prefer the studio songs in this case, sound much more better than live ones.


The cover is a very psych one, and in the booklet you can find some great black and white pictures on the back. This album has a truly psychedelic cover but the songs that you`ll find here, won`t be that much.

Aca va material de los Seeds en vivo, un disco con bastantes particularidades. Era la epoca que le tocaba a Saxon & Co lanzar material en vivo para promover mas su música, sobre todo "Future" lanzado previamente en 1967.

Aca lo que se podra escuchar es una dosis de garage en menor cantidad, al contrario de otras bandas el disco suena menos agresivo y falto de locura a comparación de los discos de estudio de la banda.

Si existen muchas coincidencias con temas de los Doors, es verdad que "900 million people daily..." suena muy parecido a la mas duradera "When the Music`s over" de los reyes del rock acido.
Tambien es notable la similitud que existe entre "Alabama Song" y "Mumble Bumble" por ahi lei que mientras que uno buscaba su wisky en un bar con una chica, el otro buscaba su regocijo en los hongos y sustancias alucinogenas.

Bueno en fin, un registro en vivo de esta super banda, a darle una escuchada y a sacudir al final con "Pushin too hard"!


A no engañarse por la portada del album, bien psicodelica pero no tan asi su contenido.

Buy me:

18 May 2007

The Seeds- Future (1967)

Quality: 4 out of 5
Trip-O-Meter: 4.5 out of 5

First off, I think that I have to admit that this album is a bit of a guilty pleasure for me. The Seeds, while a very distinctive band, did not possess the talent of the best, or even above average artists of 60's rock. On their psychedelic opus, Future, we hear the sound of a band that has a huge recording budget, but no clue what they're doing. Fortunately, what they ended up creating is a wild 60's pop art display, which contains little nuance, but tons of charm. Future is the sonic equivalent of a 60's cult film like The Trip.

The Seeds began life a few years prior to this recording as a prime garage/psych band out of LA. They'd already scored a few minor hits with "Pushin' Too Hard" and "Can't Seem To Make You Mine." They cashed in on their newfound clout to create this weird and freaky distorted mirror image of Sgt. Pepper's. The strange thing is, Future is arguably a more fun album than that Beatles classic.

Let's hit the bad points first. Sky Saxon was a notably crazed singer, but he didn't really have the focused punch of somewhat like the 13th Floor Elevator's Rocky Erickson. Without the sonic adornments on this album, his singing easily becomes tiresome after a few tracks.

The Seeds compositional skills were also far from enviable. The songwriting usually doesn't stand out much here, and when it does it's practically a rewrite as on the "Pushin' Too Hard" clone "The Flower Lady And Her Assistant."

What raises this album to classic status for me is in the execution. "The Flower Lady And Her Assistant" is a far from original composition, but the disorienting harps and strangely meandering clarinet takes song into a brand new realm. Something like "March Of The Flower Children" becomes a great song because it ends up pointlessly and manically orchestrated with blaring horns and a tuba replacing what would normally be the bass line. The album continues with other random kitchen sink productions culminating in the epic length and wildly strange "Fallin'."

Film director Ed Wood is often cited as the worst film director of all time, but I disagree with this sentiment. Although his technique is painfully inept, his love and joy of filmmaking shows through in something like Glen Or Glenda and makes his films incredibly entertaining. I think the same thing applies her. The Seeds sound like they're trying to convey what they believe is an important message and create high art, and they're having a blast doing it. It doesn't matter that they really didn't have the talent to create another Sgt. Peppers because they're having so much fun trying. Fortunately, they also had a lot of money to make this quixotic attempt, and that just makes Future all the more charming.

This is far from a masterpiece of psychedelia. It is, however, a lot more fun and entertaining that many of those classics. Future gives "guilty pleasure" a good name and inhabits a special goofy place in the pantheon of 60's rock.

Note: The buy me link below includes A Spoonful Of Seedy Blues on a two-fer. I find that album much more dull and ill-fitting with Future, but it is the best place to get Future on CD.

Buy Me:
The Seeds- The Future/A Spoonful Of Seedy Blues