Showing posts with label Alan Watts. Show all posts
Showing posts with label Alan Watts. Show all posts

27 November 2009

Alan Watts - 1967 - The Sound of Hinduism

Quality: 4.5 out of 5
Trip-O-Meter: 4.75 out of 5

On this album, spiritual scholar Alan Watts' limits his focus on Eastern religions to the sphere on Hinduism. To be perfectly honest, there's not a whole lot of music of note here. Basically the album features a drone in the right channel, Watts' spoken word in the left, and some percussion taking up the entire sound field here and there. I'm not sure how accurate or not Watts' thoughts about Hinduism are (I'm assuming that he is not full of poo), but these recordings are perfect to put your mind in a meditational state.

The first track, "Om," consists of Watts' treatise on the basic tenants of Hinduism. The man definitely has a fine way with words, and I'd say the artistic/poetic component here is several notches higher than your typical spoken word performance. "Readings From Hindu Scriptures" is pretty self-explanatory, but once again Watts' spoken word stands out. Sandwiched in between is an instrumental track where we get a touch of sitar melody. It's not up to the standards of Ravi Shankar or anything, but it serves its purpose in allowing the listener to zone out.

I suppose that this is one of those albums that I feel becomes more than the sum of its parts. There is some nice, if a bit light, Indian instrumentation for those of you that dig that, and I feel that Watts' presence is of significant note. It's a fine way to turn off your mind, relax, and float downstream with.

Alan Watts - 1962 - Is This It

Quality: 4 out of 5
Trip-O-Meter: 5 out of 5

Alan Watts was a British proponent of Eastern religions, and not so much of a musician. He nevertheless managed to release a few albums of tripped out instrumentals and spoken word to try and increase awareness of Eastern traditions. This one is a pretty abstract affair of throat singing, chants, drones, and percussion. Only with Watts spaced out spoken words does the music peak out of the transcendental aether. Like some of Sun Ra's work from the early 60's, this music is true psychedelia years before popular music began to explore similar avenues. Unfortunately, some of this album also shares the questionable recording quality of some of Sun Ra's recordings. Still, it's perfectly listenable and a fine soundtrack for your backroom opium den.

The best place to start with this album is probably with the shorter tracks featuring spoken word. "Onion Chant" and "Fingernail Poem" both feature Watts' Eastern-tinged poetry. The former matches Watts with some percussion and fierce chanting while the latter includes some abstract jazz piano playing. Once you've acclimatized, take a plunge into the long-form freak-outs of the last three tracks. I've got a soft spot for "Metamatic Ritual," but the creepy laughing in "Umdagumsubudu" and speaking in tongues in "The End" is worth hearing if you're up for wild chanting. The end of "The End" kind of frightens me.

Although this music doesn't really fit into the realm of rock, the sounds are about as psychedelic as you're going to find. The crazed percussion definitely makes me thing of some of the stuff that Sun Ra was doing around the same time, but the manic chants, Eastern instrumentation, and Watts' poetry help to distinguish this as a wholly unique album.

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Alan Watts - 1962 - Is This It